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why was the spiral jetty made

It was created in 1970, and worth a visit while it's not submerged. Holt’s art, including the land art piece “Sun Tunnels” in Utah’s Box Elder County, didn’t start getting proper recognition till the end of her life. “Spiral Jetty” has continued to have an unusual life since it reappeared in the 1990s. Spiral Jetty is an earthwork sculpture constructed in April 1970 that is considered to be the most important work of American sculptor Robert Smithson. Paranthropus boisei, a little-known member of the... © 2020 Sigma Xi, The Scientific Research Honor Society. Poet Percy Bysshe Shelley in the 19th century imagined the arrogance of Ozymandias (Pharaoh Ramesses II) boasting of a gigantic statue of himself and his massive earthworks—“‘Look on my works, ye mighty, and despair!’” But everything collapses, and the poem ends with this appropriate coda: “Round the decay/ Of that colossal wreck, boundless and bare,/ the lone and level sands stretch far away.” Smithson might have been happy chanting that vanitas tune to his own Spiral Jetty. Please also read our Privacy Notice and Terms of Use, which became effective December 20, 2019. The Spiral Jetty in Utah is a human-made art installation that juts out into the Great Salt Lake and is only visible when the water levels dwindle. To create the 457 metre long spiral, Smithson bulldozed material from the shore into the lake. It is a man-made, artistic creation but unlike most gallery art, it lies horizontal and dwarfs the human spectator, who feels that sense of smallness he or she experiences when in the presence of nature's beauty, or perhaps contemplating the stars. Robert Smithson's earthwork Spiral Jetty (1970) is located at Rozel Point peninsula on the northeastern shore of Great Salt Lake. This further separates Smithson’s jetty from the natural world. True False 1 points QUESTION 44 1. Other articles where Spiral Jetty is discussed: environmental sculpture: …extend a rock and dirt spiral, 1,500 feet (460 m) long, into Great Salt Lake in Utah (Spiral Jetty; 1970). Utah‘s Great Salt Lake contains an extraordinary earthwork sculpture made from crystals, salt, and basalt. “And I saw Bob Phillips at least five times recount this story, and he would always tear up and cry. According to Loe, Phillips often talked about the last time he saw Smithson. As for in-person experiences, UMFA visitors will be able to watch Holt’s 16 mm film “Utah Sequences,” which she shot at the “Spiral Jetty” site in 1970, once the public coronavirus quarantines are lifted. It’s a strange piece of art, with an equally strange history that continues to evolve. I doubt permission to construct it could be granted today, even on private land. Like much Earth art, Spiral Jetty is a tribute to the daring and imagination of the artist who goes from concept to actual product—the fact that it is done at all is often what constitutes its significance. This fade to white may qualify as part of the disappearing eco-act he had in mind. However, 1,500 ft tall counterclockwise spiral can only be seen when the water level is lower than 4,197 ft. It would then express a potent environmental ethic—the reconquest of human works by persistent natural processes. The Spiral Jetty was created back in 1970 by American sculptor Robert Smithson. Three years after “Spiral Jetty” was completed, Smithson died in a plane crash while surveying sites for another land art piece, “Amarillo Ramp,” in Texas. People are often surprised to learn that the site is not regulated or monitored — “there’s nothing keeping you from being there at midnight,” Kivland said. In this and the following three issues of American Scientist I explore these works and attempt to answer that question. Interacting with such a huge piece requires a shift in perception, which then shifts how one experiences the entire world that surrounds it. And for Holt, overseeing it all became a lifelong endeavor. Spiral Jetty is Utah's answer to Stonehenge and an early example of an art-form known as monumental earthworks. That’s what human beings had done to the Earth for millennia—left their mark, indelible or not. “I like to think of (‘Spiral Jetty’) as a point of embarkation for looking at the region, and thinking of it not as an end itself — not a dead end as you walk around the spiral,” he continued. Undoubtedly the most famous large-scale earthwork of the period, it has come to epitomize Land art. Built during a drought by Robert Smithson, once the water levels returned to normal the spiral was then submerged for three decades, reemerging during a drought in 2004. This may signal ownership, dominance, or an attempt to connect or infuse nature’s power into the human creature. The jetty is surely a quaint monument to simple engineering, and a solid bit of environmental process art with a hefty dash of cool public relations. The Bulgarian-born artist Christo has involved large numbers of people in the planning and construction of such mammoth alfresco art projects as Valley Curtain (1972; Rifle Gap, Colo.). “I think it was just unimaginable to so many artists that had been working in their studios and creating works that you hang on a wall, or smaller sculptures.”. We reserve the right to remove comments. Starting April 3, the Holt/Smithson Foundation began hosting “Fridays at the Movies” online, which virtually presents video works by Holt and Smithson every Friday between 3 p.m. and 11 p.m. Mountain time. These supplemental experiences are enriching, but through it all, it’s important to remember one of Smithson’s motivations for creating “Spiral Jetty” in the first place: to get people experiencing art in the natural world. Smithson support groups want to restore and maintain the jetty, rescuing it from entropy. “But she also was a modest person in some ways, and that had allowed her husband’s legacy to really overshadow hers.”, Kivland remembers the first time she met Holt, in 2011. Like much Earth art, Spiral Jetty is a tribute to the daring and imagination of the artist who goes from concept to actual product—the fact that it is done at all is often what constitutes its significance. When Smithson made the work, what he was doing was pretty simple, conceptually speaking: he took a piece of Utah, and made it art. As for the initial awareness locally, Loe said “people just didn’t know about it. A piece of art rarely spends some of its 'life' submerged under a lake, but that is precisely what this jetty is, and does. “That’s the interesting thing about land art, is that its meaning changes as the world changes around it,” Coolidge said. By choosing I Accept, you consent to our use of cookies and other tracking technologies. And two recent events in Los Angeles prompt me to make such an assessment: the installation of Michael Heizer’s rock, Levitating Mass, at the Los Angeles County Museum of Art, and a complementary retrospective, Ends of the Earth: Land Art to 1974 at the Los Angeles Museum of Contemporary Art (MOCA). It was really quite beautiful. According to Smithson’s writings, though, that was kind of the point. While the casual audience might think of “Spiral Jetty” as just the sculpture, the art world holds these accompanying video and written pieces in high esteem. As “Spiral Jetty” remained underwater for 20-plus years, its legend grew — thanks in part to separate written and video pieces about the work, which Smithson also created. The most famous jetty is probably Spiral Jetty, a large sculpture created by the artist Robert Smithson in 1970. According to Matthew Coolidge, president of the Center for Land Use Interpretation, Smithson fundamentally understood the dual relationship between construction and destruction — “sides of the same coin, and you couldn’t have one without the other,” Coolidge told the Deseret News. They travelled to “Spiral Jetty,” Kivland said, “and (Holt) just grabbed a chair, pulled it all the way to the side of the parking lot, and she just sat there for hours, to ensure that she had her time with him. 50 years in, ‘Spiral Jetty’ continues to inspire and confound. In 1971, for one of a growing number of outdoor projects, he took a 20-year lease on 10 acres (4 hectares) of lakefront land at the Great Salt Lake in Utah, and, using hired contractors, he made a huge spiral extending 1,500 feet (460 metres) into the lake. Using over six thousand tons of black basalt rocks and earth from the site, Smithson formed a coil 1,500 feet long and 15 feet wide that … Spiral Jetty is not an easy place to find.This renowned Land Art sculpture is located in Rozel Point, at the Great Salt Lake. He left his mark with a massive earthwork sculpture on the northeast edge of the Great Salt Lake. Smithson wished to explore that duality in his work. Spiral Jetty is an earthwork sculpture on the northeastern shores of the Great Salt Lake, Utah, United States.Built in April 1970 by American sculptor Robert Smithson, the earthwork sculpture, which is also referred to as earth art or environmental art, is a counterclockwise coil constructed of mud, salt crystals and basalt rocks that is 1,500 ft long and 15 ft wide. It’s inert and quite drab, isolated, somewhat elegant in its blunt simplicity, but essentially pointless, though it does somewhat humanize the remote and desolate site. I could tell, just from that experience, it held incredible significance for her.”. We learn that Smithson, who died in 1973 in a plane crash while searching for new sites, seems to have wanted the work to disappear, through natural entropy, a concept he discussed extensively. Smithson documented the construction of the sculpture in a 32-minute color film also titled Spiral Jetty. It was made to give a portrait of the artist and the concept of the work based on his interest in geology, paleontology, astronomy, mythology, and cinema. But that original contrast between the spiral’s black rocks and the wine-colored water has softened as time has encrusted the jetty with salts. On Oct. 3, UMFA will host a special community meet-up at “Spiral Jetty.”. Preservation collaboration. It is 1500 feet in length and is about 15 feet wide made from sand, dirt and basalt rock. In this photo from 2002, the Spiral Jetty, a piece of art built in the 1970's along the shore of the Great Salt Lake is more visible recently due to low water levels. In an artistic context — and especially with a work like “Spiral Jetty” — phenomenology is about interacting with art works much larger than one’s own body, and having one’s senses heightened because of it. Robert Smithson’s Spiral Jetty in 1970 put the modern Earth-art movement in high relief. But locally, there was no traction. Books • Art historian Hikmet Sidney Loe chronicles the many influences on … Today, Spiral Jetty is still art and it’s still a part of Utah. Spiral Jetty is an earthwork sculpture constructed in April 1970 that is considered to be the central work of the American sculptor Robert Smithson. The salt water out here is usually tinted red or purple due to bacteria and algae that love the extremely salty water. 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